Common Emeraldine

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For more information about emeraldines, see this post.


Common Emeraldine, Barbalaetus cantor  L 19-22 cm, WS 30 cm, Family: Barbalaetidae


IUCN Conservation Status: Least concern (LC)

 

Description:    

Medium sized songbird with long tail and plump body and strong legs. Dull brown upperparts, with slate gray shoulders, wings, and tail, and lighter gray undersides. Slight whitish edging on wing feathers. Distinctive bright iridescent green “beard” of throat feathers, unique to the emeraldine group, present only in males. Females lack green beard, undersides faintly streaked, juveniles like females but juvenile males will grow beard in patches. Very similar in appearance to other emeraldines; gray cheeks and shoulders and white eye-ring distinguish it from others in the group, especially in females.

Voice:

Frequent singers, Common Emeraldines sing throughout the day. Song is a series of 3-4 buzzy trills raising in pitch followed by a short, falling warble. Most common call is a short, sharp tik. Females give a soft peep during breeding and incubation, and males have a “dance call” given only during courtship which is a short rattle.     

Range and Habitat:    

Common throughout its range, found throughout most of Novasola except the grassland interior, alpine zones, and Francis Islands. Prefers forest ecosystems with tall canopy and dense understory, or forest edges. Will occasionally be seen in meadows, scrubland or other open-canopy ecosystems. Avoids altitudes higher than about 9,000 ft and areas without thick understory. They are more likely to use feeders and suburban areas than other emeraldines.

Discussion:      

The widest ranging emeraldine, and the most numerous within its range, the Common Emeraldine is typical of, and in fact the type species for, its genus Barbalaetus, which in Latin translates to “joyous beard”. It is also the most common species in its family, Barbalaetidae, which is found only on Novasola. The species name cantor comes from the Latin for “song/singer”, and the species was originally called the Song Emeraldine.

Comfortable deep within thickets and camouflage under the cover of dense forest undergrowth like all emeraldines, the Common Emeraldine can be difficult to spot. They are most easily observed during the spring when males sing to attract mates and defend territories, as they sing frequently and consistently throughout all hours of the day from sunrise to sunset and often choose to do so from exposed perches. Their vocalizations are staple sounds of Novasolan forests, and their song is often the best way to distinguish them from other emeraldine species, all of which are less vocal and sing buzzier songs less frequently.   

In the summer months, Common Emeraldine eat mostly invertebrates like beetles, crickets, caterpillars, millipedes, spiders, and bees, while in the winter they transition their diets to seeds like acorns and thistle and berries. Like other emeraldines they are mostly ground foragers and will hop along the ground rummaging through leaf litter, however they can also be seen searching for food under leaves in the sub-canopy or occasionally even in the canopy. Common Emeraldines will forage higher in the forest structure than Farr’s or Yellow Emeraldines, but still prefer to remain hidden in the brush.

Emeraldines are perhaps best known for their courtship displays and breeding behaviors. In the spring, males will find a well-lit exposed branch near the ground from which they sing to attract females. Before singing, males will clear the ground around the perch of any leaves or twigs so that only dirt, moss, or needles are present. Once a female has flown in, she will perch above the male so that she faces down at him toward the ground and he holds himself almost upside-down and in direct sunlight. The male then flairs his beard and moves his head from side to size, making rattling sounds. If the female accepts, the two mate and find a nest location. Both females and males help build the nest and rear young. To build the nest, the pair will place twigs sticking up from the ground in a ring, with one opening, then lash them together by weaving fibers like grasses or animal hair through the spaces between and at the top where the twigs meet, and finally, they will line the inside with more fibers. This resulting tent-like or tipi structure, or feyadom, is usually about 12 inches tall and is distinctive, often confusing unknowing hikers who accidentally stumble upon them. Often young couples, during their first mating season, or couples struggling to find new territory, might use nests built by other emeraldines that remain standing from previous years.


Emeraldines are a distinct group of birds found only on Novasola. Their unique appearances and talent for building elaborate nest structures make them fascinating birds to observe and to study, and they are often compared to the bowerbirds of Oceania. Richard Reichwald was the first person to describe them scientifically, and he started first with the Common Emeraldine.   


“Regret must be the company of any person so luckless to depart the Fastwaters without having been witness to the nature of the emeraldine. His want for privacy among thorns and thickets proves adversarial to all but the most dedicated sportsman, but his bounty when discovered is unquestionably worthwhile.

The Emeraldine, like his name might suggest, is a brilliant drop of emerald gold against the fallen leaves of the forest floor upon which he bounces about his business, overturning the detritus in search of arthropod prey. The Emeraldine’s pace is one of diligence and method, not moving from one bush to the next until it is satisfied no more work can be done there, or until reasonably threatened by an intruder’s approach. Those short, hurried flights between patches of undergrowth are perhaps the best time to spot them outside courtship.

As spring arrives to Novasola, the male Song Emeraldine begins his search for a stage. His aim is to find an upright woody stem separate and away from tangles, clear of distracting side branches or vegetation cover, that sees direct sunlight. Once satisfied with his perch, he begins his song: a raspy series of crescendos elevating in pitch quickly cut short by a hasty but melodious phrase. Should his voice draw the attention of a female, she will perch above him, parallel to him on the same branch, as he will hold himself parallel to the ground. Facing each other, the male flairs out his emerald feathers and begins the dance. The motions are themselves simple, a saying back and forth, side to side, hoping to catch sunlight with his gorget, and should the female be impressed they will together travel to a safer, less exposed parcel to begin construction.

Emeraldines are among the greatest engineers on the island, human company not excluded. So expertly built are their nests that most white settlers who have found them thought not that they belonged to a drab little bird but instead to elves, nymphs, or fairies. Indeed, the Song Emeraldine’s tipi of sticks and grass, often rising to half the height of a man’s knee, is a stunning example of architecture that one cannot help but marvel at God’s Creation and question what sort of divine design had passed over the animal kingdom to produce only these few isolated species in the farthest corner of the conquered world.” – Native Birds of Novasola, 1912


“In preparation for this journey I have read the accounts of countless outdoorsmen and explorers and prospectors who journeyed out before me. A curious observation made by many was the description of small wooden tents littering the forest undergrowth. Often these unexplained structures have been attributed to one form of mythical beast or creature of fantasy. It was with great surprise, then, when last night I stumbled upon one myself, and found its inhabitants still inside. A pair of emeraldines shot out once I approached within a meter of the nest, and soon after the male began his chorus of aggressive song.” – Expedition log, May 10, 1902

A typical Common Emeraldine nest structure consists of twigs placed in a tent or tipi like structure woven together with plant fibers and animal hair. Illustration provided by the Museum of Novasola.